[Update: My podcast episode about Baumbach’s Kicking & Screaming, featuring journalist and critic Michael Weinreb, is now online.] Noah Baumbach, whose new movie Marriage Story (starring Scarlett Johansson and Adam Driver) debuts this week, is one of the most respected American indie-film writer-directors of his generation. His cinematic vision has evoked comparisons to auteurs like…
Stranger Things is the story of my youth (and my mid-1980s journals prove it)
Cultural criticism/personal essay: Rolf reflects on the journals he kept between 1984 and 1986 – a time when he played D&D, bicycled everywhere, and pretty much watched the same movies as the boys in Stranger Things.
9 Outtakes from Pauline Kael’s “Trash, Art, and the Movies,”
1) On the liberating joy of trashy movies Trash doesn’t belong to the academic tradition, and that’s part of the fun of trash—that you know (or should know) that you don’t have to take it seriously, that it was never meant to be anymore than frivolous and trifling and entertaining. …Who at some point hasn’t…
Anthony Bourdain Did Not Speak Travelese
A little more than seven years ago, I wrote “travel stunt” essay — “Around the World in 80 Hours (of Travel TV)” — that recounted the experience of holing up in a Las Vegas hotel room for one week and spending all of my waking hours watching the Travel Channel. The experience was uniformly awful,…
12 Great Coming-Of-Age Movie Final-Scene Songs
One of the writing projects I’ve been working on this winter is Last Nine, a coming-of-age screenplay I’ve been chipping away at for more than a decade now. Built around a single incident I remember from my high school Spanish class when I was 17 years old, Last Nine tells the story of a teenager…
15 Ways Game of Thrones is a Master Class in Conflict-Driven Storytelling
The following is adapted from a lecture in my July 2017 screenwriting class at the Paris Writing Workshop. 1. All characters must suffer. No Game of Thrones character avoids misery. How they deal with suffering is how we learn who they are. 2. Obligation must be at odds with desire. No Game of Thrones character…
4 Thoughts on Playwriting and Process, from August Wilson
1) Plays are written with a communal audience in mind I was, and remain, fascinated by the idea of an audience as a community of people who gather willingly to bear witness. A novelist writes a novel and people read it. But reading is a solitary act. While it may elicit a varied and personal…
Stranger Things: 5 Differences Between the Pilot Script and the First Episode
Writing craft: Studying a show’s pilot script is a useful way for aspiring scriptwriters to get a sense for how its creators chose to establish the world of the story, introduce its characters, and leave the viewer wanting more.
HBO’s Treme Corners You at a Party
Satire: “Hey there, I’m a TV show set in New Orleans. I’m about art and integrity, and I don’t give a shit what you think of me.”
Burying the Present
Personal essay: Thirty years ago, Rolf and a friend from elementary school created a vision of the future—a space opera put to tape—and buried it in a time capsule. Listening again today reveals how we remember the present as it never quite was.
Treme’s Authenticity Problem
TV criticism: HBO’s series about post-Katrina Louisiana obsessively works to prove it’s not a tourist in New Orleans. It ends up losing the city — and the viewers — in the process.
