1) Adults are often ashamed to be novices As adults, we rarely learn fresh skills or dare ourselves to change direction. We urge our children to be bold risk-takers, to show grit and open themselves to new experiences. But us grown-ups? We hide behind the way we’ve always done things. We become so boring! Adults…
1) Never explain something you can dramatize Master storytellers never explain. They do the hard, painfully creative thing — they dramatize. Audiences are rarely interested, and certainly never convinced, when forced to listen to the discussion of ideas. Dialogue, the natural talk of characters pursuing desire, is not a platform for the filmmaker’s philosophy. Explanations…
1) Narrative structure can be found everywhere Narrative structure can be found everywhere: in jokes, lab reports, historical accounts, personal essays, songs and ballads, news coverage, comic books, movies, sitcoms, and ballets such as the Nutcracker that tell a story through dance. Some television commercials are mini-narratives lasting only a few seconds without dialogue or…
Of all the times I’ve been name-checked in the Washington Post, the most counterintuitive occasion came last month, when it appeared in an obituary for Bushwick Bill, the one-eyed, 3’8″ gangsta-rapper most notable for his work with the Geto Boys. Specifically, the obit alluded to my 2016 book The Geto Boys, which was part of…
Cultural criticism/personal essay: Rolf reflects on the journals he kept between 1984 and 1986 – a time when he played D&D, bicycled everywhere, and pretty much watched the same movies as the boys in Stranger Things.
1) Travel allows one to stop acting like a new person and to start becoming one The unfamiliarity of travel jolts you out of your familiar patterns. Who we are on the road is different from who we are at home. I don’t know if who we are on the road is closer to our…
1) Genre stories help us escape the narratives of our humdrum lives Skilled genre writers know that a certain level of artificiality must prevail, lest the reasons we turn to their books evaporate. It’s plot we want and plenty of it. Heroes should go up against villains (sympathetic or hateful); love should, if possible, win…
1 Who says science fiction is only set in the future? After a while, the story that looks least believable is the past. The console television with three channels. Black and white picture. Manual controls: the dial clicks when you turn it, like the oven. You have to get up and walk somewhere to change…
1) On what travel can reveal about the way we live If our lives are dominated by a search for happiness, then perhaps few activities reveal as much about the dynamics of this quest — in all its ardor and paradoxes — than our travels. They express, however inarticulately, an understanding of what life might…
By Robert D. Kaplan Originally published in the January 2006 issue of the Columbia Journalism Review (an excerpt) Knowing the future is easy, if only we were willing to see the present. In the 1980s, it was one thing to learn about Afghanistan through fleeting and sporadic news reports; it was another to watch with a…
1) Allow healthy separation between you and the first draft A bit of separation between you and your script is healthy. After a few weeks, you might even forget every word that you wrote. That is a good thing. It’s important to look at your script with fresh eyes, as a new reader would. Reread…
