(an excerpt) We travel, initially, to lose ourselves; and we travel, next, to find ourselves. We travel to open our hearts and eyes and learn more about the world than our newspapers will accommodate. We travel to bring what little we can, in our ignorance and knowledge, to those parts of the globe whose riches…
5 Ways Indie Travel Has Changed — And Stayed The Same — Since 1999
Cultural criticism: During a journey across south and southeast Asia, Rolf reflects on the changes he’s seen over the course of 20 years as a vagabonding traveler.
5 insights on the relationship between ideas and stories
1) The story begins to flow once you pinpoint the right idea The book is the idea. Once you have that idea, it just flows out. This is perhaps the best advice I can offer. Taking an idea, a central point, and pursuing it, turning it into a story that tells something about the way…
Farmer, by Patricia Traxler
My grandpa was a farmer shaved with big hands on his straightedge wiping grey goo onto a newspaper fold at the kitchen table white chipped pan warm dirty water he stared out at the fields never missed a spothis eyes were set deep like a crop he’d always hoped for and he talked so slow…
9 Outtakes from Paul Theroux’s “The Tao of Travel”
1) On the intrinsic human urge to travel The wish to travel seems to me characteristically human: the desire to move, to satisfy your curiosity or ease your fears, to change the circumstances of your life, to be a stranger, to make a friend, to experience an exotic landscape, to risk the unknown, the bear…
Writing About Travel: A Brief Primer
By Larry Habegger (an excerpt) The best travel stories are really stories about life, with lessons for the writer and reader about ourselves and the people and places in our still magical world. We don’t have to travel far to explore both the outer and inner worlds. Some of us love to roam the world,…
6 thoughts on enhancing your screenplay by fine-tuning your villain
1) The better the villain, the better the hero The better the villain, the better the hero. The better the villain, the better the plot, because the villain is the one who’s usually driving the plot. I was very, very, very lucky to inherit [Hannibal Lecter]. I could not invent him to save my life.…
A short primer on shamanistic tattoo-craft in Mentawai culture
This is the kit Amanjano uses to make Mentawao tribal tattoos, of the sort he (and shaman like him) wears all over his body. The top item is a palm-wood hammer that is used to tap the wood-mounted nail (note lower item) when injecting tribal ink under the skin. Tattoos are one of the first…
People of Sumatra #15 (Mentawai Islands edition): Amanjano, the poison-craftsman
My second host in the Siberut Island rainforest was Amanjano, a 62-year-old shaman who lived on a scenic bend of stream deep in the jungle. Amanjano proved to be more laid-back and happy-go-lucky than Amantiru, my first host – in part, I’m sure, because of his nature, but also because of his age. Whereas Amantiru…
After awhile in the jungle, loincloths begin to make a lot of sense
This is my send-off after a multi-night stay at Amantiru and Baitiru’s place in the Siberut Island rainforest. It was interesting how quickly I became used to the rhythms of jungle life. I recall thinking, upon first hiking up into Amantiru’s house, “Dude, that guy is wearing a loincloth.” A couple days later, having gotten…
In the Siberut Island jungle, “visiting” is more than a synonym for “conversation”
The social atmosphere on Siberut Island was very much geared toward evening gatherings. It took me a while get used to it, since even before the web-wired “information age” I grew up surrounded by popular culture like TV – and Amantiru’s place didn’t even have a radio. Indeed, the songs Amantiru and his friends sang…