In re-reading Pilgrims in a Sliding World (my never-published first attempt at a travel book), I’m often struck by how young the narrator seems. This makes perfect sense, of course, since the book evokes a 24-year-old version of me trying to narrate the exploits of a 23-year-old version of me. Admittedly, I didn’t feel all…
On finding familiar things in some of the most isolated parts of the world
Reaching the village of Tenmaru in the Melanesian South Pacific was quite the task. First, it took Kiki and me nearly 20 hours of trans-Pacific flights to reach Vanuatu by way of Fiji. Then, because Air Vanuatu had just gone out of business, it took us 16 hours on an industrial ferry to reach the…
Live from Bali: How tourists, influencers, and nomads transform destinations (for good and for bad)
How tourists, influencers, and nomads transform destinations
A new film, shot in Kansas, aims to show what is possible for women’s artistic voices in rural America
Jenny Inzerillo of High Plains Public Radio’s “High Plains Morning” chats with actress/writer Kristen Bush about her film THE GAME CAMERA, the Rural Women Films initiative, and its artistic mission to uplift female voices in rural America. CONDENSED TRANSCRIPT Jenny Inzerillo: Folks, you are tuned to High Plains Public Radio. I am so excited to…
Notes on my (never published) first travel book, part VI: On depicting places
Though travel writing is sometimes viewed as its own, self-contained genre, its core task can pertain to all manner of prose writing, since any good narrative (fiction or nonfiction) needs to establish an effective sense of place. Place is, in effect, a character in any story, so it’s good for writers to know how to…
Notes on my (never published) first travel book, part V: On veering from the truth
Travel writing has long been considered to be one of the least reliable forms of nonfiction narrative. Scholars often point to the fourteenth-century Travels of Sir John Mandeville as the iconic example of a classic travel book that bore little relation to truth, but skepticism about the tales of voyagers runs from Lucian’s second-century True…
Vagabonding audio companion: Obnoxious travelers (and how to avoid being one)
Ugly Americans (and non-Americans) on the road, and how to avoid being one
On sharing a truck with 11 other people (plus chickens & yams) in Vanuatu
The video below doesn’t contain a narrative arc — it’s just a series of slice-of-life moments from a half-day cage-truck trip around the northern rim of Malekula Island, en route to the isolated Big Nambas village of Tenmaru. Rough as dirt track looks, it was the only through-road on that part of the island. Buying…
Notes on my (never published) first travel book, part IV: On recounting dialogues
When I teach my travel memoir classes each summer in Paris, I often do a lecture based on Thomas Swick’s “Roads Less Traveled: Why so much travel writing is so boring.” This essay astutely outlines seven key things that tend to be missing from generic travel stories, including imagination, insight, and humor. Swick notes that…
To keep cultural traditions active, Vanuatu kastom dances are sometimes performed for tourists
This photo of “kastom” dancers was taken our second full day of traveling through Malekula Island (and its surrounding islets) in the Vanuatu archipelago. Kastom is a pidgin word (a play on the English word “custom”) that refers to traditional art, ceremonies, religion, and magic in Melanesia. This troupe of men and boys from the…
Notes on my (never published) first travel book, part III: On depicting other people
Having touched on the task of depicting myself as a character in the pages of Pilgrims in a Sliding World (my never-finished first attempt at writing a travel book), I will now examine the task of depicting other people in nonfiction writing. Indeed, just as the “I character’ is a selective persona that doesn’t comprehensively…